{"id":815,"date":"2017-09-04T05:24:47","date_gmt":"2017-09-04T04:24:47","guid":{"rendered":"https:\/\/www.domesday86.com\/?page_id=815"},"modified":"2017-09-04T05:30:59","modified_gmt":"2017-09-04T04:30:59","slug":"picture-sets","status":"publish","type":"page","link":"https:\/\/www.domesday86.com\/?page_id=815","title":{"rendered":"Picture sets"},"content":{"rendered":"

The following table shows a list of picture sets available on the National Disc.\u00a0 The list is taken from the Domesday Display documentation (which notes that it is not a complete list).\u00a0 The description field is the text under which the picture set is indexed (some picture sets will have different descriptions when shown on screen):<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Key<\/strong><\/td>\nFrame<\/strong><\/td>\nDescription<\/strong><\/td>\nNo. of Slides<\/strong><\/td>\n<\/tr>\n
0<\/td>\n2056<\/td>\nPatrick Lichfield : Photographs<\/td>\n29<\/td>\n<\/tr>\n
1<\/td>\n2088<\/td>\nSpotlight on Industry<\/td>\n216<\/td>\n<\/tr>\n
2<\/td>\n2167<\/td>\nT.V., Music+ Arts<\/td>\n29<\/td>\n<\/tr>\n
3<\/td>\n2945<\/td>\nCombat Sports<\/td>\n25<\/td>\n<\/tr>\n
4<\/td>\n3066<\/td>\nDisco, Break Dancing<\/td>\n17<\/td>\n<\/tr>\n
5<\/td>\n3084<\/td>\nContemporary Art (B)<\/td>\n87<\/td>\n<\/tr>\n
6<\/td>\n2975<\/td>\nImages of Northern Ireland<\/td>\n90<\/td>\n<\/tr>\n
7<\/td>\n3183<\/td>\nBritish Year: J: Oct.<\/td>\n31<\/td>\n<\/tr>\n
8<\/td>\n3215<\/td>\nAngling<\/td>\n25<\/td>\n<\/tr>\n
9<\/td>\n3250<\/td>\nArchitecture<\/td>\n20<\/td>\n<\/tr>\n
10<\/td>\n3280<\/td>\nT.V. Documentaries<\/td>\n40<\/td>\n<\/tr>\n
11<\/td>\n3330<\/td>\nGrocery<\/td>\n600<\/td>\n<\/tr>\n
12<\/td>\n4130<\/td>\nNews Events in Britain 1984<\/td>\n37<\/td>\n<\/tr>\n
13<\/td>\n4179<\/td>\nRoman Catholic Church<\/td>\n42<\/td>\n<\/tr>\n
14<\/td>\n4222<\/td>\nContemporary Art (A)<\/td>\n97<\/td>\n<\/tr>\n
15<\/td>\n4321<\/td>\nChris-Steele Perkins Photo (Brixton, Nottinghill Gate, London)<\/td>\n55<\/td>\n<\/tr>\n
16<\/td>\n4378<\/td>\nThe Poverty Trap<\/td>\n32<\/td>\n<\/tr>\n
17<\/td>\n4411<\/td>\nThe Army of the \u201880\u2019s<\/td>\n65<\/td>\n<\/tr>\n
18<\/td>\n4477<\/td>\nGymnasium Sports<\/td>\n21<\/td>\n<\/tr>\n
19<\/td>\n4507<\/td>\nContemporary Music<\/td>\n46<\/td>\n<\/tr>\n
20<\/td>\n4555<\/td>\nForestry<\/td>\n44<\/td>\n<\/tr>\n
21<\/td>\n4605<\/td>\nTelevision\/Religion<\/td>\n18<\/td>\n<\/tr>\n
22<\/td>\n4635<\/td>\nCartoons (B)<\/td>\n60<\/td>\n<\/tr>\n
23<\/td>\n4705<\/td>\nWho\u2019s Who : The Visual Arts<\/td>\n73<\/td>\n<\/tr>\n
24<\/td>\n4779<\/td>\nPop & Rock Music<\/td>\n44<\/td>\n<\/tr>\n
25<\/td>\n4825<\/td>\nArchitecture<\/td>\n23<\/td>\n<\/tr>\n
26<\/td>\n4885<\/td>\nBritish Year: 1: September<\/td>\n30<\/td>\n<\/tr>\n
27<\/td>\n4916<\/td>\nWho\u2019s Who: Public Servants<\/td>\n65<\/td>\n<\/tr>\n
28<\/td>\n4982<\/td>\nClive Barda: Photograph( Musicians)<\/td>\n46<\/td>\n<\/tr>\n
29<\/td>\n5029<\/td>\nT.V. Series & Serials<\/td>\n74<\/td>\n<\/tr>\n
30<\/td>\n5128<\/td>\nRail Transport<\/td>\n59<\/td>\n<\/tr>\n
31<\/td>\n5188<\/td>\nGames of Choice<\/td>\n55<\/td>\n<\/tr>\n
32<\/td>\n5244<\/td>\nBritish Films of the 80\u2019s<\/td>\n82<\/td>\n<\/tr>\n
33<\/td>\n5343<\/td>\nT.V. Natural History<\/td>\n27<\/td>\n<\/tr>\n
34<\/td>\n5393<\/td>\nCar Sports<\/td>\n23<\/td>\n<\/tr>\n
35<\/td>\n5428<\/td>\nWho\u2019s Who: Dance<\/td>\n12<\/td>\n<\/tr>\n
36<\/td>\n5441<\/td>\nTate: Exhibition<\/td>\n19<\/td>\n<\/tr>\n
37<\/td>\n5461<\/td>\nScience & Technology<\/td>\n63<\/td>\n<\/tr>\n
38<\/td>\n5560<\/td>\nWinter Sports<\/td>\n21<\/td>\n<\/tr>\n
39<\/td>\n5582<\/td>\nArchitecture (Romantic Pragmatism)<\/td>\n37<\/td>\n<\/tr>\n
40<\/td>\n5622<\/td>\nDefinitive Stamps<\/td>\n17<\/td>\n<\/tr>\n
41<\/td>\n5642<\/td>\nWheel Sports<\/td>\n20<\/td>\n<\/tr>\n
42<\/td>\n5666<\/td>\nComic Cards<\/td>\n59<\/td>\n<\/tr>\n
43<\/td>\n5726<\/td>\nT.V. News & C.A.<\/td>\n21<\/td>\n<\/tr>\n
44<\/td>\n5776<\/td>\nEnvironmental Pollution<\/td>\n42<\/td>\n<\/tr>\n
45<\/td>\n5826<\/td>\nMagazine Covers<\/td>\n79<\/td>\n<\/tr>\n
46<\/td>\n5906<\/td>\nWho\u2019s Who: Stage & Screen<\/td>\n27<\/td>\n<\/tr>\n
47<\/td>\n5935<\/td>\nContemporary Sculpture<\/td>\n82<\/td>\n<\/tr>\n
48<\/td>\n6020<\/td>\nArchitecture (modernism)<\/td>\n17<\/td>\n<\/tr>\n
49<\/td>\n6041<\/td>\nCartoons (A)<\/td>\n60<\/td>\n<\/tr>\n
50<\/td>\n6111<\/td>\nFolk & Country Music<\/td>\n37<\/td>\n<\/tr>\n
51<\/td>\n6149<\/td>\nWater Industry<\/td>\n32<\/td>\n<\/tr>\n
52<\/td>\n6199<\/td>\nNewspaper Front Pages<\/td>\n30<\/td>\n<\/tr>\n
53<\/td>\n6230<\/td>\nBritish Year: A: January<\/td>\n31<\/td>\n<\/tr>\n
54<\/td>\n6262<\/td>\nArchitecture (Neo-Classicism)<\/td>\n17<\/td>\n<\/tr>\n
55<\/td>\n6286<\/td>\nDavid Buckland : Photos<\/td>\n18<\/td>\n<\/tr>\n
56<\/td>\n6308<\/td>\nBritish Year: L: December<\/td>\n31<\/td>\n<\/tr>\n
57<\/td>\n6340<\/td>\nHunting & Target Sports<\/td>\n11<\/td>\n<\/tr>\n
58<\/td>\n6352<\/td>\nPublic & Road Transport<\/td>\n79<\/td>\n<\/tr>\n
59<\/td>\n6432<\/td>\nT.V. Drama<\/td>\n52<\/td>\n<\/tr>\n
60<\/td>\n6531<\/td>\nWho\u2019s Who: Campaigners<\/td>\n34<\/td>\n<\/tr>\n
61<\/td>\n6567<\/td>\nWho\u2019s Who: Science & Engineering<\/td>\n35<\/td>\n<\/tr>\n
62<\/td>\n6603<\/td>\nBritish Year: B: February<\/td>\n28<\/td>\n<\/tr>\n
63<\/td>\n6632<\/td>\nGolf<\/td>\n26<\/td>\n<\/tr>\n
64<\/td>\n6658<\/td>\nInformation \u2013 Liverpool \u2013 Graphs<\/td>\n7<\/td>\n<\/tr>\n
65<\/td>\n6668<\/td>\nNuclear Power<\/td>\n18<\/td>\n<\/tr>\n
66<\/td>\n6687<\/td>\n20 Years On (Shrubs\/trees etc)<\/td>\n10<\/td>\n<\/tr>\n
67<\/td>\n6687<\/td>\nWages etc. graphs<\/td>\n38<\/td>\n<\/tr>\n
68<\/td>\n6733<\/td>\nBritish Telecom + graphs information etc<\/td>\n23<\/td>\n<\/tr>\n
69<\/td>\n6756<\/td>\nCartoons<\/td>\n12<\/td>\n<\/tr>\n
70<\/td>\n6770<\/td>\nFashion (Men)<\/td>\n3<\/td>\n<\/tr>\n
71<\/td>\n6773<\/td>\nO.S. Dept.<\/td>\n38<\/td>\n<\/tr>\n
72<\/td>\n6810<\/td>\nAssociation of Illustrators \u2013 10th Annual Unpublished Art<\/td>\n33<\/td>\n<\/tr>\n
73<\/td>\n6845<\/td>\nAlternative Medicine<\/td>\n33<\/td>\n<\/tr>\n
74<\/td>\n6879<\/td>\nWho\u2019s Who: Music<\/td>\n98<\/td>\n<\/tr>\n
75<\/td>\n6979<\/td>\nCartoon<\/td>\n40<\/td>\n<\/tr>\n
76<\/td>\n7019<\/td>\nMarine Life<\/td>\n53<\/td>\n<\/tr>\n
77<\/td>\n7073<\/td>\nTennis<\/td>\n23<\/td>\n<\/tr>\n
78<\/td>\n7098<\/td>\nWho\u2019s Who: Medicine<\/td>\n45<\/td>\n<\/tr>\n
79<\/td>\n7144<\/td>\nAssociation of Illustrators \u2013 10th Annual Technical<\/td>\n24<\/td>\n<\/tr>\n
80<\/td>\n7166<\/td>\nCoarse Fishing<\/td>\n3<\/td>\n<\/tr>\n
81<\/td>\n7169<\/td>\nBall Games<\/td>\n25<\/td>\n<\/tr>\n
82<\/td>\n7195<\/td>\nHouses \u2013 Styles, Interiors, Swimming Pools<\/td>\n30<\/td>\n<\/tr>\n
83<\/td>\n7225<\/td>\nPet Paraphernalia<\/td>\n22<\/td>\n<\/tr>\n
84<\/td>\n7248<\/td>\nBrewing of Beer<\/td>\n30<\/td>\n<\/tr>\n
85<\/td>\n7282<\/td>\nPhilatelic Items<\/td>\n20<\/td>\n<\/tr>\n
86<\/td>\n7304<\/td>\nWho\u2019s Who: Press + Publishers<\/td>\n26<\/td>\n<\/tr>\n
87<\/td>\n7331<\/td>\nAthletics<\/td>\n33<\/td>\n<\/tr>\n
88<\/td>\n7366<\/td>\nVillage Christmas Cartoons<\/td>\n37<\/td>\n<\/tr>\n
89<\/td>\n7402<\/td>\nWho\u2019s Who: Popular Music<\/td>\n16<\/td>\n<\/tr>\n
90<\/td>\n7419<\/td>\nCars of the 1980\u2019s<\/td>\n52<\/td>\n<\/tr>\n
91<\/td>\n7472<\/td>\nTextile Design<\/td>\n43<\/td>\n<\/tr>\n
92<\/td>\n7518<\/td>\nMotorbikes of the 1980\u2019s<\/td>\n67<\/td>\n<\/tr>\n
93<\/td>\n7586<\/td>\nZoos, Safaris + Wildfowl Parks<\/td>\n57<\/td>\n<\/tr>\n
94<\/td>\n7644<\/td>\nBritish Airports<\/td>\n47<\/td>\n<\/tr>\n
95<\/td>\n7699<\/td>\nMarine Fish<\/td>\n19<\/td>\n<\/tr>\n
96<\/td>\n7727<\/td>\nWho\u2019s Who: Writers<\/td>\n73<\/td>\n<\/tr>\n
97<\/td>\n7802<\/td>\nAssociation of Illustrators \u2013 10th Annual: Print + Design<\/td>\n28<\/td>\n<\/tr>\n
98<\/td>\n7831<\/td>\nThe Art of Tea Drinking<\/td>\n23<\/td>\n<\/tr>\n
99<\/td>\n7856<\/td>\nWater Sports<\/td>\n46<\/td>\n<\/tr>\n
100<\/td>\n7903<\/td>\nTate: Acquisitions<\/td>\n65<\/td>\n<\/tr>\n
101<\/td>\n7969<\/td>\nIsland Stamps<\/td>\n71<\/td>\n<\/tr>\n
102<\/td>\n8041<\/td>\nWho\u2019s Who: Actors<\/td>\n60<\/td>\n<\/tr>\n
103<\/td>\n8102<\/td>\nAssociation of Illustrators \u2013 10th Annual: Editorial<\/td>\n41<\/td>\n<\/tr>\n
104<\/td>\n8144<\/td>\nSculpture in the Open Air<\/td>\n22<\/td>\n<\/tr>\n
105<\/td>\n8170<\/td>\nInsects + Invertebrates<\/td>\n69<\/td>\n<\/tr>\n
106<\/td>\n8242<\/td>\nAssociation of Illustrators \u2013 10th Annual: Book Illustrators<\/td>\n<\/td>\n<\/tr>\n
107<\/td>\n8281<\/td>\nPet Rodents + Reptiles<\/td>\n43<\/td>\n<\/tr>\n
108<\/td>\n8325<\/td>\nAssociation of Illustrators \u2013 10th Annual: Advertising<\/td>\n44<\/td>\n<\/tr>\n
109<\/td>\n8402<\/td>\nBritish Political System<\/td>\n77<\/td>\n<\/tr>\n
110<\/td>\n8483<\/td>\nInside BBC T.V.<\/td>\n50<\/td>\n<\/tr>\n
111<\/td>\n8534<\/td>\nInterior Design<\/td>\n65<\/td>\n<\/tr>\n
112<\/td>\n8601<\/td>\nWater Transport<\/td>\n47<\/td>\n<\/tr>\n
113<\/td>\n8649<\/td>\nWho\u2019s Who: Law<\/td>\n28<\/td>\n<\/tr>\n
114<\/td>\n8679<\/td>\nNews Events in Britain 1985<\/td>\n49<\/td>\n<\/tr>\n
115<\/td>\n8729<\/td>\nWho\u2019s Who: Business + Economy<\/td>\n94<\/td>\n<\/tr>\n
116<\/td>\n8824<\/td>\nWho\u2019s Who: Broadcasting<\/td>\n39<\/td>\n<\/tr>\n
117<\/td>\n8864<\/td>\nWho\u2019s Who: Sporting Personalities<\/td>\n91<\/td>\n<\/tr>\n
118<\/td>\n8956<\/td>\nNews Events in Britain 1983<\/td>\n37<\/td>\n<\/tr>\n
119<\/td>\n8995<\/td>\nOpera B<\/td>\n73<\/td>\n<\/tr>\n
120<\/td>\n9069<\/td>\nChurch of England<\/td>\n81<\/td>\n<\/tr>\n
121<\/td>\n9151<\/td>\nMulti-faith Britain<\/td>\n89<\/td>\n<\/tr>\n
122<\/td>\n9243<\/td>\nCricket<\/td>\n43<\/td>\n<\/tr>\n
123<\/td>\n9286<\/td>\nChurch of Scotland<\/td>\n34<\/td>\n<\/tr>\n
124<\/td>\n9321<\/td>\nOpera A<\/td>\n84<\/td>\n<\/tr>\n
125<\/td>\n9407<\/td>\nFashion for Men<\/td>\n22<\/td>\n<\/tr>\n
126<\/td>\n9430<\/td>\nQuarry\/Reservoir \/Scenery \/Skies<\/td>\n12<\/td>\n<\/tr>\n
127<\/td>\n9444<\/td>\nWeather\/Scenery\/Environment\/Family\/O.S. Maps\/Geology\/Nuclear Power<\/td>\n112<\/td>\n<\/tr>\n
128<\/td>\n9556<\/td>\nCanals\/Scenery<\/td>\n20<\/td>\n<\/tr>\n
129<\/td>\n9578<\/td>\nWho\u2019s Who: Education<\/td>\n29<\/td>\n<\/tr>\n
130<\/td>\n9608<\/td>\nSpitting Images<\/td>\n67<\/td>\n<\/tr>\n
131<\/td>\n9677<\/td>\nCoins of the Realm<\/td>\n47<\/td>\n<\/tr>\n
132<\/td>\n9725<\/td>\nArt Prizes<\/td>\n18<\/td>\n<\/tr>\n
133<\/td>\n9744<\/td>\nFolio (Artists)<\/td>\n33<\/td>\n<\/tr>\n
134<\/td>\n9778<\/td>\nTowards a Healthier Diet<\/td>\n18<\/td>\n<\/tr>\n
135<\/td>\n9797<\/td>\nEquestrian Sports<\/td>\n27<\/td>\n<\/tr>\n
136<\/td>\n9825<\/td>\nMarsh Plants<\/td>\n32<\/td>\n<\/tr>\n
137<\/td>\n9859<\/td>\nJane Asher<\/td>\n25<\/td>\n<\/tr>\n
138<\/td>\n9885<\/td>\nStream+ Riverside Plants<\/td>\n20<\/td>\n<\/tr>\n
139<\/td>\n9906<\/td>\nLondon\u2019s Parks<\/td>\n26<\/td>\n<\/tr>\n
140<\/td>\n9935<\/td>\nEamonn McCabe Photographs (Sport)<\/td>\n36<\/td>\n<\/tr>\n
141<\/td>\n9973<\/td>\nAdventure Sports<\/td>\n18<\/td>\n<\/tr>\n
142<\/td>\n9992<\/td>\nRugby<\/td>\n45<\/td>\n<\/tr>\n
143<\/td>\n10038<\/td>\nDesign for Living<\/td>\n29<\/td>\n<\/tr>\n
144<\/td>\n10070<\/td>\nDisplay Design<\/td>\n43<\/td>\n<\/tr>\n
145<\/td>\n10116<\/td>\nStill on the Road (Cars + Motorbikes)<\/td>\n52<\/td>\n<\/tr>\n
146<\/td>\n10169<\/td>\nNew Contemporaries 1986 I.C.A.<\/td>\n26<\/td>\n<\/tr>\n
147<\/td>\n10195<\/td>\nThe Music Industry + Awards<\/td>\n21<\/td>\n<\/tr>\n
148<\/td>\n10218<\/td>\nClothes for Children<\/td>\n28<\/td>\n<\/tr>\n
149<\/td>\n10247<\/td>\nFun+ Games<\/td>\n57<\/td>\n<\/tr>\n
150<\/td>\n10304<\/td>\nGrassland Plants<\/td>\n63<\/td>\n<\/tr>\n
151<\/td>\n10368<\/td>\nPrince of Wales<\/td>\n24<\/td>\n<\/tr>\n
152<\/td>\n10393<\/td>\nBarry Lewis: Inside Sellafield<\/td>\n15<\/td>\n<\/tr>\n
153<\/td>\n10410<\/td>\nBroadleaf Trees<\/td>\n80<\/td>\n<\/tr>\n
154<\/td>\n10495<\/td>\nBritish Year: D: April<\/td>\n30<\/td>\n<\/tr>\n
155<\/td>\n10526<\/td>\nThe Police Force<\/td>\n74<\/td>\n<\/tr>\n
156<\/td>\n10602<\/td>\nPrison Life<\/td>\n70<\/td>\n<\/tr>\n
157<\/td>\n10706<\/td>\nThe Falkland Islands Conflict<\/td>\n49<\/td>\n<\/tr>\n
158<\/td>\n10756<\/td>\nLichens<\/td>\n40<\/td>\n<\/tr>\n
159<\/td>\n10797<\/td>\nUpland Plants<\/td>\n36<\/td>\n<\/tr>\n
160<\/td>\n10834<\/td>\nCoastal Plants<\/td>\n32<\/td>\n<\/tr>\n
161<\/td>\n10900<\/td>\nMosses<\/td>\n33<\/td>\n<\/tr>\n
162<\/td>\n10934<\/td>\nFerns<\/td>\n18<\/td>\n<\/tr>\n
163<\/td>\n10953<\/td>\nAir Defence<\/td>\n50<\/td>\n<\/tr>\n
164<\/td>\n11005<\/td>\nWho\u2019s Who: Politics<\/td>\n57<\/td>\n<\/tr>\n
165<\/td>\n11063<\/td>\nWidespread Plants<\/td>\n74<\/td>\n<\/tr>\n
166<\/td>\n11139<\/td>\nWasteland Plants<\/td>\n27<\/td>\n<\/tr>\n
167<\/td>\n11167<\/td>\nMagazine Fashion Photography<\/td>\n18<\/td>\n<\/tr>\n
168<\/td>\n11186<\/td>\nWho\u2019s Who: Trade Unions<\/td>\n18<\/td>\n<\/tr>\n
169<\/td>\n11205<\/td>\nWoodland Plants<\/td>\n38<\/td>\n<\/tr>\n
170<\/td>\n11245<\/td>\nJazz + Black Music<\/td>\n38<\/td>\n<\/tr>\n
171<\/td>\n11285<\/td>\nDon McCullin \u201cEast of Aldgate\u201d<\/td>\n27<\/td>\n<\/tr>\n
172<\/td>\n11313<\/td>\nSea Defence<\/td>\n43<\/td>\n<\/tr>\n
173<\/td>\n11359<\/td>\nDavid Bailey: Valleys Project<\/td>\n49<\/td>\n<\/tr>\n
174<\/td>\n11411<\/td>\nWho\u2019s Who: Explorers<\/td>\n6<\/td>\n<\/tr>\n
175<\/td>\n11418<\/td>\nWho\u2019s Who: Food + Drink<\/td>\n14<\/td>\n<\/tr>\n
176<\/td>\n11433<\/td>\nPaul Hill \u2013 Landmarks, Derbyshire<\/td>\n11<\/td>\n<\/tr>\n
177<\/td>\n11446<\/td>\nHistoric Buildings<\/td>\n98<\/td>\n<\/tr>\n
178<\/td>\n11545<\/td>\nMarketa Luskacova Photographs<\/td>\n25<\/td>\n<\/tr>\n
179<\/td>\n11572<\/td>\nMarketa Luskacova \u2013 North East Seaside<\/td>\n15<\/td>\n<\/tr>\n
180<\/td>\n11589<\/td>\nBritish Year: C: March<\/td>\n31<\/td>\n<\/tr>\n
181<\/td>\n11621<\/td>\nPaper Money<\/td>\n71<\/td>\n<\/tr>\n
182<\/td>\n11737<\/td>\nMaths<\/td>\n35<\/td>\n<\/tr>\n
183<\/td>\n11773<\/td>\nBand Aid + Live Aid<\/td>\n29<\/td>\n<\/tr>\n
184<\/td>\n11845<\/td>\nBeetles<\/td>\n24<\/td>\n<\/tr>\n
185<\/td>\n11871<\/td>\nPaul D Barkshire \u2013 Photographs<\/td>\n28<\/td>\n<\/tr>\n
186<\/td>\n11901<\/td>\nConiferous Trees<\/td>\n18<\/td>\n<\/tr>\n
187<\/td>\n11920<\/td>\nAgainst the Odds<\/td>\n23<\/td>\n<\/tr>\n
188<\/td>\n11944<\/td>\nAnimal Farming Methods<\/td>\n86<\/td>\n<\/tr>\n
189<\/td>\n12289<\/td>\nPrehistoric to Medieval Sites<\/td>\n96<\/td>\n<\/tr>\n
190<\/td>\n12387<\/td>\nPost Medieval + Industrial Britain<\/td>\n95<\/td>\n<\/tr>\n
191<\/td>\n12485<\/td>\nJames Ravilions \u2013 Photographs, North Devon<\/td>\n18<\/td>\n<\/tr>\n
192<\/td>\n12505<\/td>\nMusic in the open air<\/td>\n41<\/td>\n<\/tr>\n
193<\/td>\n12549<\/td>\nBallet + Contemporary Dance<\/td>\n49<\/td>\n<\/tr>\n
194<\/td>\n12604<\/td>\nPeace Politics<\/td>\n38<\/td>\n<\/tr>\n
195<\/td>\n12643<\/td>\nLandforms<\/td>\n42<\/td>\n<\/tr>\n
196<\/td>\n12688<\/td>\nFlexible Money<\/td>\n52<\/td>\n<\/tr>\n
197<\/td>\n12744<\/td>\nFay Godwin \u2013 The Saxon Shore Way<\/td>\n100<\/td>\n<\/tr>\n
198<\/td>\n12772<\/td>\nRock Types<\/td>\n31<\/td>\n<\/tr>\n
199<\/td>\n12804<\/td>\nJudy Goldhill \u2013 Anglo-Jewish Community<\/td>\n19<\/td>\n<\/tr>\n
200<\/td>\n12825<\/td>\nGeological Structures<\/td>\n23<\/td>\n<\/tr>\n
201<\/td>\n12849<\/td>\nDavid Hoffman \u2013 No alternative<\/td>\n54<\/td>\n<\/tr>\n
202<\/td>\n12905<\/td>\nMarketa Luskacova \u2013 The Poppy Story<\/td>\n24<\/td>\n<\/tr>\n
203<\/td>\n12931<\/td>\nStylish Sub-Cultures<\/td>\n22<\/td>\n<\/tr>\n
204<\/td>\n12954<\/td>\nPaul Reas \u2013 Life in South Wales<\/td>\n26<\/td>\n<\/tr>\n
205<\/td>\n12982<\/td>\nHabitats \u2013 Freshwater<\/td>\n14<\/td>\n<\/tr>\n
206<\/td>\n12997<\/td>\nHabitats \u2013 Marshes + Mires<\/td>\n20<\/td>\n<\/tr>\n
207<\/td>\n13018<\/td>\nIan MacDonald \u2013 Rosecroft School<\/td>\n28<\/td>\n<\/tr>\n
208<\/td>\n13050<\/td>\nIan MacDonald \u2013 Iron Works 1983 \u2013 Redcar<\/td>\n22<\/td>\n<\/tr>\n
209<\/td>\n13074<\/td>\nHabitats \u2013 Woodland + Scrub<\/td>\n28<\/td>\n<\/tr>\n
210<\/td>\n13102<\/td>\nHabitats \u2013 Lowland grass and Heath<\/td>\n11<\/td>\n<\/tr>\n
211<\/td>\n13115<\/td>\nBob Kauders \u2013 Travellers<\/td>\n23<\/td>\n<\/tr>\n
212<\/td>\n13142<\/td>\nHabitats \u2013 Urban Wasteland<\/td>\n24<\/td>\n<\/tr>\n
213<\/td>\n13167<\/td>\nHabitats \u2013 Upland Moor and Heath<\/td>\n20<\/td>\n<\/tr>\n
214<\/td>\n13188<\/td>\nBob Kauders \u2013 Landscapes<\/td>\n17<\/td>\n<\/tr>\n
215<\/td>\n13207<\/td>\nChris Killip: Another Country<\/td>\n80<\/td>\n<\/tr>\n
216<\/td>\n13289<\/td>\nSimon MacBridge: Photographs<\/td>\n18<\/td>\n<\/tr>\n
217<\/td>\n13309<\/td>\nPaul Reas: I can Help \u2013 South Wales<\/td>\n27<\/td>\n<\/tr>\n
218<\/td>\n13338<\/td>\nHabitats \u2013 Coastal<\/td>\n34<\/td>\n<\/tr>\n
219<\/td>\n13379<\/td>\nBasketry<\/td>\n23<\/td>\n<\/tr>\n
220<\/td>\n13403<\/td>\nHospital Care<\/td>\n47<\/td>\n<\/tr>\n
221<\/td>\n13452<\/td>\nBallroom Dancing<\/td>\n26<\/td>\n<\/tr>\n
222<\/td>\n13479<\/td>\nWorking with Wood<\/td>\n26<\/td>\n<\/tr>\n
223<\/td>\n13511<\/td>\nFrancois Dolmetsch \u2013 Urban Landscapes<\/td>\n19<\/td>\n<\/tr>\n
224<\/td>\n13531<\/td>\nCattle Breeds<\/td>\n20<\/td>\n<\/tr>\n
225<\/td>\n13553<\/td>\nBill Stephenson: Work Places<\/td>\n19<\/td>\n<\/tr>\n
226<\/td>\n13574<\/td>\nTop Fashion Designers<\/td>\n62<\/td>\n<\/tr>\n
227<\/td>\n13638<\/td>\nLettering + Bookbinding<\/td>\n32<\/td>\n<\/tr>\n
228<\/td>\n13673<\/td>\nPatrick Sutherland RNCB<\/td>\n18<\/td>\n<\/tr>\n
229<\/td>\n13693<\/td>\nSheep Breeds<\/td>\n42<\/td>\n<\/tr>\n
230<\/td>\n13736<\/td>\nPrince Andrew<\/td>\n11<\/td>\n<\/tr>\n
231<\/td>\n13748<\/td>\nRoad Landscaping<\/td>\n11<\/td>\n<\/tr>\n
232<\/td>\n13759<\/td>\nLandscaping around major works<\/td>\n16<\/td>\n<\/tr>\n
233<\/td>\n13776<\/td>\nLandscape for Leisure<\/td>\n16<\/td>\n<\/tr>\n
234<\/td>\n13793<\/td>\nLandscape Restoration A<\/td>\n10<\/td>\n<\/tr>\n
235<\/td>\n13804<\/td>\nLandscape Restoration B<\/td>\n23<\/td>\n<\/tr>\n
236<\/td>\n13828<\/td>\nThe British Art Show<\/td>\n60<\/td>\n<\/tr>\n
237<\/td>\n13890<\/td>\nIndustry in the Landscape<\/td>\n8<\/td>\n<\/tr>\n
238<\/td>\n13899<\/td>\nHorse + Pony Breeds<\/td>\n19<\/td>\n<\/tr>\n
239<\/td>\n13919<\/td>\nHousing Design Awards<\/td>\n66<\/td>\n<\/tr>\n
240<\/td>\n13986<\/td>\nLandscaping in the City<\/td>\n17<\/td>\n<\/tr>\n
241<\/td>\n14006<\/td>\nDavid Barlow \u2013 The Body<\/td>\n47<\/td>\n<\/tr>\n
242<\/td>\n14055<\/td>\nPeter Fraser \u2013 Photographs Colour<\/td>\n31<\/td>\n<\/tr>\n
243<\/td>\n14089<\/td>\nPatrick Sutherland \u2013 Photographs<\/td>\n29<\/td>\n<\/tr>\n
244<\/td>\n14118<\/td>\nRichard Coole: High Flying<\/td>\n30<\/td>\n<\/tr>\n
245<\/td>\n14151<\/td>\nMain Stream Theatre<\/td>\n68<\/td>\n<\/tr>\n
246<\/td>\n14220<\/td>\nA Change of Scene in Oxford<\/td>\n33<\/td>\n<\/tr>\n
247<\/td>\n14254<\/td>\nFringe Theatre<\/td>\n66<\/td>\n<\/tr>\n
248<\/td>\n14322<\/td>\nBill Stephenson, Public Images, Sheffield<\/td>\n22<\/td>\n<\/tr>\n
249<\/td>\n14346<\/td>\nSoil fertility<\/td>\n17<\/td>\n<\/tr>\n
250<\/td>\n14366<\/td>\nChanging face of the Cinema<\/td>\n53<\/td>\n<\/tr>\n
251<\/td>\n14420<\/td>\nSoil Erosion<\/td>\n29<\/td>\n<\/tr>\n
252<\/td>\n14451<\/td>\n1984 Olympic Games<\/td>\n47<\/td>\n<\/tr>\n
253<\/td>\n14499<\/td>\nDarts<\/td>\n10<\/td>\n<\/tr>\n
254<\/td>\n14510<\/td>\nMail Order Fashion<\/td>\n78<\/td>\n<\/tr>\n
255<\/td>\n14589<\/td>\nFashion for Feet<\/td>\n28<\/td>\n<\/tr>\n
256<\/td>\n14619<\/td>\nFay Godwin \u2013 Photographs, Landscapes<\/td>\n57<\/td>\n<\/tr>\n
257<\/td>\n14676<\/td>\nUnderwear + Lingerie<\/td>\n16<\/td>\n<\/tr>\n
258<\/td>\n14693<\/td>\nSoil Properties<\/td>\n52<\/td>\n<\/tr>\n
259<\/td>\n14747<\/td>\nCharlie Waite \u2013 Landscape in Britain<\/td>\n87<\/td>\n<\/tr>\n
260<\/td>\n14839<\/td>\nFruit, Flowers + Glasshouses<\/td>\n31<\/td>\n<\/tr>\n
261<\/td>\n14871<\/td>\nJohn Davies \u2013 Cotton\/Textile Industries, NW England<\/td>\n41<\/td>\n<\/tr>\n
262<\/td>\n14916<\/td>\nPaul Graham \u2013 Beyond Caring<\/td>\n43<\/td>\n<\/tr>\n
263<\/td>\n14961<\/td>\nPaul Graham \u2013 Troubled Land \u2013 N. Ireland<\/td>\n51<\/td>\n<\/tr>\n
264<\/td>\n15014<\/td>\nPaul Graham \u2013 A1 The Great North Road<\/td>\n13<\/td>\n<\/tr>\n
265<\/td>\n15029<\/td>\nPatrick Sutherland \u2013 Hard Harvests<\/td>\n35<\/td>\n<\/tr>\n
266<\/td>\n15066<\/td>\nSomerset Levels<\/td>\n87<\/td>\n<\/tr>\n
267<\/td>\n15155<\/td>\nPatrick Sutherland \u2013 Grimethorpe \u2013 Mining<\/td>\n41<\/td>\n<\/tr>\n
268<\/td>\n15188<\/td>\nMaking the City Grow<\/td>\n16<\/td>\n<\/tr>\n
269<\/td>\n15215<\/td>\nMartin Parr \u2013 Point of Sale<\/td>\n38<\/td>\n<\/tr>\n
270<\/td>\n15255<\/td>\nMartin Parr \u2013 The Last Resort \u2013 Liverpool<\/td>\n63<\/td>\n<\/tr>\n
271<\/td>\n15320<\/td>\nMartin Parr \u2013 Hebden Bridge \u201875-80 West Yorkshire<\/td>\n77<\/td>\n<\/tr>\n
272<\/td>\n15399<\/td>\nHomer Sykes \u2013 Young People<\/td>\n28<\/td>\n<\/tr>\n
273<\/td>\n15429<\/td>\nJohn Davies \u2013 Rhymney Valley<\/td>\n23<\/td>\n<\/tr>\n
274<\/td>\n15454<\/td>\nMartin Parr \u2013 Prescott 1984<\/td>\n14<\/td>\n<\/tr>\n
275<\/td>\n15470<\/td>\nMartin Parr \u2013 Yates\u2019 Wine Lodges<\/td>\n18<\/td>\n<\/tr>\n
276<\/td>\n15490<\/td>\nSporting Style<\/td>\n25<\/td>\n<\/tr>\n
277<\/td>\n15516<\/td>\nJohn Davies \u2013 Great Western Railway<\/td>\n17<\/td>\n<\/tr>\n
278<\/td>\n15535<\/td>\nFloral Dreams<\/td>\n37<\/td>\n<\/tr>\n
279<\/td>\n15573<\/td>\nThe Church of Christ Scientist<\/td>\n14<\/td>\n<\/tr>\n
280<\/td>\n15589<\/td>\nJohn Davies \u2013 Urban Renewal<\/td>\n33<\/td>\n<\/tr>\n
281<\/td>\n15624<\/td>\nArable Farming<\/td>\n69<\/td>\n<\/tr>\n
282<\/td>\n15694<\/td>\nJohn Davies \u2013 Limestone Quarries<\/td>\n22<\/td>\n<\/tr>\n
283<\/td>\n15718<\/td>\nIndoor Gardens<\/td>\n22<\/td>\n<\/tr>\n
284<\/td>\n15741<\/td>\nHow does your garden grow<\/td>\n50<\/td>\n<\/tr>\n
285<\/td>\n15792<\/td>\nGerry Cottle\u2019s Circus 1985<\/td>\n40<\/td>\n<\/tr>\n
286<\/td>\n15833<\/td>\nMotorcycle Sport<\/td>\n35<\/td>\n<\/tr>\n
287<\/td>\n15869<\/td>\nDirections in Fashion Design<\/td>\n13<\/td>\n<\/tr>\n
288<\/td>\n15945<\/td>\nPet Fish<\/td>\n36<\/td>\n<\/tr>\n
289<\/td>\n15982<\/td>\nTop Hair Design<\/td>\n25<\/td>\n<\/tr>\n
290<\/td>\n16008<\/td>\nJohn Davies \u2013 Energy in the N.E.<\/td>\n30<\/td>\n<\/tr>\n
291<\/td>\n16039<\/td>\nRight on Cue<\/td>\n30<\/td>\n<\/tr>\n
292<\/td>\n16105<\/td>\nGarden Paraphernalia<\/td>\n30<\/td>\n<\/tr>\n
293<\/td>\n16137<\/td>\nGarden Furniture<\/td>\n14<\/td>\n<\/tr>\n
294<\/td>\n16151<\/td>\nMartin Parr \u2013 Bad Weather<\/td>\n22<\/td>\n<\/tr>\n
295<\/td>\n16174<\/td>\nFormal Parks + Gardens<\/td>\n14<\/td>\n<\/tr>\n
296<\/td>\n16190<\/td>\nReptiles + Amphibians<\/td>\n32<\/td>\n<\/tr>\n
297<\/td>\n16223<\/td>\nImage + Exploration<\/td>\n36<\/td>\n<\/tr>\n
298<\/td>\n16260<\/td>\nImage + Exploration \u2013 Portraits<\/td>\n21<\/td>\n<\/tr>\n
299<\/td>\n16282<\/td>\nImage + Exploration \u2013 Landmarks<\/td>\n9<\/td>\n<\/tr>\n
300<\/td>\n16292<\/td>\nImage + Exploration \u2013 Still Life<\/td>\n11<\/td>\n<\/tr>\n
301<\/td>\n16305<\/td>\nFootball Fervour<\/td>\n96<\/td>\n<\/tr>\n
302<\/td>\n16403<\/td>\nCountry Gardens<\/td>\n17<\/td>\n<\/tr>\n
303<\/td>\n16421<\/td>\nA day out in the Park<\/td>\n23<\/td>\n<\/tr>\n
304<\/td>\n16445<\/td>\nOxford Sculpture Project<\/td>\n11<\/td>\n<\/tr>\n
305<\/td>\n16459<\/td>\nQueen Elizabeth II<\/td>\n42<\/td>\n<\/tr>\n
306<\/td>\n16500<\/td>\nPrince Edward<\/td>\n18<\/td>\n<\/tr>\n
307<\/td>\n16519<\/td>\nBadges + Stickers<\/td>\n73<\/td>\n<\/tr>\n
308<\/td>\n16593<\/td>\nEnglish Folk Dancing<\/td>\n35<\/td>\n<\/tr>\n
309<\/td>\n16629<\/td>\nPhoto Competition Winners<\/td>\n11<\/td>\n<\/tr>\n
310<\/td>\n16641<\/td>\nVariety of Birds<\/td>\n22<\/td>\n<\/tr>\n
311<\/td>\n16664<\/td>\nJane Bown \u2013 Portraits<\/td>\n36<\/td>\n<\/tr>\n
312<\/td>\n16703<\/td>\nBritish Year: K: November<\/td>\n30<\/td>\n<\/tr>\n
313<\/td>\n16734<\/td>\nGood Food in Britain<\/td>\n36<\/td>\n<\/tr>\n
314<\/td>\n16771<\/td>\nYoung Styles<\/td>\n42<\/td>\n<\/tr>\n
315<\/td>\n16814<\/td>\nInviting<\/td>\n34<\/td>\n<\/tr>\n
316<\/td>\n16849<\/td>\nPerching Birds C<\/td>\n34<\/td>\n<\/tr>\n
317<\/td>\n16885<\/td>\nPerching Birds D<\/td>\n44<\/td>\n<\/tr>\n
318<\/td>\n16930<\/td>\nUrban Gardens<\/td>\n53<\/td>\n<\/tr>\n
319<\/td>\n16984<\/td>\nTopiary<\/td>\n16<\/td>\n<\/tr>\n
320<\/td>\n17001<\/td>\nClothes for the Working Woman<\/td>\n43<\/td>\n<\/tr>\n
321<\/td>\n17045<\/td>\nSouvenirs of Halley\u2019s Comet<\/td>\n8<\/td>\n<\/tr>\n
322<\/td>\n17054<\/td>\nMammals<\/td>\n46<\/td>\n<\/tr>\n
323<\/td>\n17103<\/td>\nPerching Birds A<\/td>\n35<\/td>\n<\/tr>\n
324<\/td>\n17139<\/td>\nPerching Birds B<\/td>\n62<\/td>\n<\/tr>\n
325<\/td>\n17202<\/td>\nMilton Keynes \u2013 New City<\/td>\n23<\/td>\n<\/tr>\n
326<\/td>\n17226<\/td>\nMan\u2019s Best Friend \u2013 Dogs<\/td>\n84<\/td>\n<\/tr>\n
327<\/td>\n17311<\/td>\nRoyal Wedding Ephemera<\/td>\n19<\/td>\n<\/tr>\n
328<\/td>\n17333<\/td>\nContainer Gardens<\/td>\n32<\/td>\n<\/tr>\n
329<\/td>\n17366<\/td>\nWater Gardens<\/td>\n27<\/td>\n<\/tr>\n
330<\/td>\n17395<\/td>\nThe British Year: E: May<\/td>\n31<\/td>\n<\/tr>\n
331<\/td>\n17427<\/td>\nThe British Year: H: August<\/td>\n31<\/td>\n<\/tr>\n
332<\/td>\n17459<\/td>\nThe Craft of Corn Dolly Making<\/td>\n33<\/td>\n<\/tr>\n
333<\/td>\n17493<\/td>\nBirds of Prey<\/td>\n36<\/td>\n<\/tr>\n
334<\/td>\n17530<\/td>\nBeneath the Ocean Wave<\/td>\n14<\/td>\n<\/tr>\n
335<\/td>\n17545<\/td>\nCouples in Cwmbran, South Wales<\/td>\n16<\/td>\n<\/tr>\n
336<\/td>\n17562<\/td>\nDivers, Grebes + Cormorants<\/td>\n19<\/td>\n<\/tr>\n
337<\/td>\n17732<\/td>\nSeabirds<\/td>\n44<\/td>\n<\/tr>\n
338<\/td>\n17782<\/td>\nWaders + Wildfowl<\/td>\n65<\/td>\n<\/tr>\n
339<\/td>\n17848<\/td>\nButterflies<\/td>\n44<\/td>\n<\/tr>\n
340<\/td>\n17833<\/td>\nImage + Exploration<\/td>\n58<\/td>\n<\/tr>\n
341<\/td>\n17952<\/td>\nImage + Exploration \u2013 Colour Photography<\/td>\n24<\/td>\n<\/tr>\n
342<\/td>\n17977<\/td>\nFashion College of the Year \u201885<\/td>\n20<\/td>\n<\/tr>\n
343<\/td>\n17998<\/td>\nNewport survey of religion<\/td>\n47<\/td>\n<\/tr>\n
344<\/td>\n18046<\/td>\nCollectors + Collecting<\/td>\n27<\/td>\n<\/tr>\n
345<\/td>\n18074<\/td>\nThe British Year: G: July<\/td>\n31<\/td>\n<\/tr>\n
346<\/td>\n18106<\/td>\nNew Trade Unions of the 1980\u2019 s<\/td>\n19<\/td>\n<\/tr>\n
347<\/td>\n18126<\/td>\nCatering for Taste<\/td>\n27<\/td>\n<\/tr>\n
348<\/td>\n18154<\/td>\nGamebirds<\/td>\n15<\/td>\n<\/tr>\n
349<\/td>\n18170<\/td>\nR.A. Summer Exhibition 1985<\/td>\n36<\/td>\n<\/tr>\n
350<\/td>\n18206<\/td>\nSwans, Geese + Ducks<\/td>\n52<\/td>\n<\/tr>\n
351<\/td>\n18259<\/td>\nFreshwater Fish<\/td>\n35<\/td>\n<\/tr>\n
352<\/td>\n18294<\/td>\nBritish Taste in Foreign Food<\/td>\n41<\/td>\n<\/tr>\n
353<\/td>\n18337<\/td>\nFast Food Ephemera<\/td>\n14<\/td>\n<\/tr>\n
354<\/td>\n18352<\/td>\nCountry House Gardens<\/td>\n61<\/td>\n<\/tr>\n
355<\/td>\n18415<\/td>\nAll that glitters<\/td>\n30<\/td>\n<\/tr>\n
356<\/td>\n18445<\/td>\nThe Liverpool Garden Festival<\/td>\n14<\/td>\n<\/tr>\n
357<\/td>\n18460<\/td>\nDiana, Princess of Wales<\/td>\n72<\/td>\n<\/tr>\n
358<\/td>\n18533<\/td>\nTextiles by hand<\/td>\n65<\/td>\n<\/tr>\n
359<\/td>\n18598<\/td>\nYorkshire Sculpture Park<\/td>\n43<\/td>\n<\/tr>\n
360<\/td>\n18642<\/td>\nRestoration + Repair<\/td>\n41<\/td>\n<\/tr>\n
361<\/td>\n18684<\/td>\nWorking on the land<\/td>\n79<\/td>\n<\/tr>\n
362<\/td>\n18763<\/td>\nA Hive of Industry<\/td>\n60<\/td>\n<\/tr>\n
363<\/td>\n18822<\/td>\nFlying High<\/td>\n87<\/td>\n<\/tr>\n
364<\/td>\n18902<\/td>\nFun with cars + motorbikes<\/td>\n79<\/td>\n<\/tr>\n
365<\/td>\n18987<\/td>\nThe Fishing Industry<\/td>\n65<\/td>\n<\/tr>\n
366<\/td>\n19053<\/td>\nTime for Beasts + Birds<\/td>\n75<\/td>\n<\/tr>\n
367<\/td>\n19129<\/td>\nRock + Mountain Climbing<\/td>\n45<\/td>\n<\/tr>\n
368<\/td>\n19174<\/td>\nIndustrial Decline<\/td>\n27<\/td>\n<\/tr>\n
369<\/td>\n19203<\/td>\nOutdoor Sports<\/td>\n84<\/td>\n<\/tr>\n
370<\/td>\n19287<\/td>\nIn Parks + Gardens<\/td>\n100<\/td>\n<\/tr>\n
371<\/td>\n19387<\/td>\nPrecious Metals<\/td>\n25<\/td>\n<\/tr>\n
372<\/td>\n19418<\/td>\nTraditional Working Skills<\/td>\n55<\/td>\n<\/tr>\n
373<\/td>\n19473<\/td>\nTime off by the water<\/td>\n91<\/td>\n<\/tr>\n
374<\/td>\n19565<\/td>\nHome + Family Leisure<\/td>\n55<\/td>\n<\/tr>\n
375<\/td>\n19621<\/td>\nFaces of Youth<\/td>\n57<\/td>\n<\/tr>\n
376<\/td>\n19679<\/td>\nPublic Services<\/td>\n26<\/td>\n<\/tr>\n
377<\/td>\n19706<\/td>\nTime off on Canals<\/td>\n34<\/td>\n<\/tr>\n
378<\/td>\n19740<\/td>\nMessing about with boats<\/td>\n55<\/td>\n<\/tr>\n
379<\/td>\n19795<\/td>\nMen at Work<\/td>\n60<\/td>\n<\/tr>\n
380<\/td>\n19859<\/td>\nDelivering the Goods<\/td>\n29<\/td>\n<\/tr>\n
381<\/td>\n19889<\/td>\nPower and Energy<\/td>\n30<\/td>\n<\/tr>\n
382<\/td>\n19922<\/td>\nFun at Fairs + Carnivals<\/td>\n94<\/td>\n<\/tr>\n
383<\/td>\n20020<\/td>\nWorking on the water<\/td>\n44<\/td>\n<\/tr>\n
384<\/td>\n20064<\/td>\nAviation<\/td>\n10<\/td>\n<\/tr>\n
385<\/td>\n20074<\/td>\nCity Transport<\/td>\n58<\/td>\n<\/tr>\n
386<\/td>\n20132<\/td>\nMotor Car Maintenance<\/td>\n8<\/td>\n<\/tr>\n
387<\/td>\n20141<\/td>\nNational Heritage as leisure<\/td>\n68<\/td>\n<\/tr>\n
388<\/td>\n20210<\/td>\nBehind the scenes<\/td>\n12<\/td>\n<\/tr>\n
389<\/td>\n20223<\/td>\nSchooldays<\/td>\n41<\/td>\n<\/tr>\n
390<\/td>\n20265<\/td>\nYachting and Windsurfing<\/td>\n49<\/td>\n<\/tr>\n
391<\/td>\n20315<\/td>\nPhotographed two by two<\/td>\n17<\/td>\n<\/tr>\n
392<\/td>\n20332<\/td>\nBritish Forces<\/td>\n32<\/td>\n<\/tr>\n
393<\/td>\n20364<\/td>\nStreet Festivals<\/td>\n30<\/td>\n<\/tr>\n
394<\/td>\n20394<\/td>\nMad about Trains<\/td>\n49<\/td>\n<\/tr>\n
395<\/td>\n20447<\/td>\nThe Entertainers<\/td>\n85<\/td>\n<\/tr>\n
396<\/td>\n20532<\/td>\nKeeping it clean<\/td>\n31<\/td>\n<\/tr>\n
397<\/td>\n20561<\/td>\nFamily pictures<\/td>\n28<\/td>\n<\/tr>\n
398<\/td>\n20590<\/td>\nConstruction + demolition<\/td>\n40<\/td>\n<\/tr>\n
399<\/td>\n20630<\/td>\nHeavy Industry<\/td>\n46<\/td>\n<\/tr>\n
400<\/td>\n20667<\/td>\nOffice Life<\/td>\n32<\/td>\n<\/tr>\n
401<\/td>\n20700<\/td>\nIndoor Sports<\/td>\n11<\/td>\n<\/tr>\n
402<\/td>\n20712<\/td>\nHobby, Arts, and Crafts<\/td>\n30<\/td>\n<\/tr>\n
403<\/td>\n20743<\/td>\nLeisure Centres + Libraries<\/td>\n34<\/td>\n<\/tr>\n
404<\/td>\n20778<\/td>\nRowing + Canoeing<\/td>\n24<\/td>\n<\/tr>\n
405<\/td>\n20803<\/td>\nOut and About<\/td>\n26<\/td>\n<\/tr>\n
406<\/td>\n20829<\/td>\nRoad + Bridge Construction<\/td>\n28<\/td>\n<\/tr>\n
407<\/td>\n20857<\/td>\nChildren at Play<\/td>\n100<\/td>\n<\/tr>\n
408<\/td>\n20956<\/td>\nTime for Folk Customs<\/td>\n37<\/td>\n<\/tr>\n
409<\/td>\n20994<\/td>\nRest + Play in the Country<\/td>\n66<\/td>\n<\/tr>\n
410<\/td>\n21061<\/td>\nWining + Dining<\/td>\n40<\/td>\n<\/tr>\n
411<\/td>\n21101<\/td>\nWe do like to be beside the sea<\/td>\n94<\/td>\n<\/tr>\n
412<\/td>\n21195<\/td>\nChildren\u2019s faces<\/td>\n32<\/td>\n<\/tr>\n
413<\/td>\n21267<\/td>\nAway from Working Life<\/td>\n43<\/td>\n<\/tr>\n
414<\/td>\n21311<\/td>\nAnimate and Inanimate Faces<\/td>\n25<\/td>\n<\/tr>\n
415<\/td>\n21336<\/td>\nWater in the Landscape<\/td>\n46<\/td>\n<\/tr>\n
416<\/td>\n21383<\/td>\nSwings + Roundabouts<\/td>\n12<\/td>\n<\/tr>\n
417<\/td>\n21395<\/td>\nRural Landscapes<\/td>\n75<\/td>\n<\/tr>\n
418<\/td>\n21480<\/td>\nSchool Children<\/td>\n21<\/td>\n<\/tr>\n
419<\/td>\n21502<\/td>\nFlora + Fauna<\/td>\n28<\/td>\n<\/tr>\n
420<\/td>\n21530<\/td>\nBabies\u2019 Faces<\/td>\n25<\/td>\n<\/tr>\n
421<\/td>\n21555<\/td>\nWomen\u2019s Faces<\/td>\n80<\/td>\n<\/tr>\n
422<\/td>\n21636<\/td>\nStreet Traders<\/td>\n44<\/td>\n<\/tr>\n
423<\/td>\n21680<\/td>\nSuburbs + Country Towns<\/td>\n46<\/td>\n<\/tr>\n
424<\/td>\n21726<\/td>\nImages of Home Life<\/td>\n23<\/td>\n<\/tr>\n
425<\/td>\n21749<\/td>\nShops + Window Shopping<\/td>\n60<\/td>\n<\/tr>\n
426<\/td>\n21809<\/td>\nLiving Places<\/td>\n26<\/td>\n<\/tr>\n
427<\/td>\n21838<\/td>\nContemporary City Buildings<\/td>\n7<\/td>\n<\/tr>\n
428<\/td>\n21845<\/td>\nBedrooms<\/td>\n12<\/td>\n<\/tr>\n
429<\/td>\n21857<\/td>\nPunk Couples + Groups: Faces<\/td>\n11<\/td>\n<\/tr>\n
430<\/td>\n21868<\/td>\nStreet People<\/td>\n92<\/td>\n<\/tr>\n
431<\/td>\n21960<\/td>\nPunk + Skinhead: Faces: Male<\/td>\n9<\/td>\n<\/tr>\n
432<\/td>\n21969<\/td>\nArt and Opinion on the Street<\/td>\n64<\/td>\n<\/tr>\n
433<\/td>\n22034<\/td>\nFarm Animals<\/td>\n81<\/td>\n<\/tr>\n
434<\/td>\n22116<\/td>\nFood + Drink on the Street<\/td>\n16<\/td>\n<\/tr>\n
435<\/td>\n22132<\/td>\nStreet Furniture<\/td>\n40<\/td>\n<\/tr>\n
436<\/td>\n22172<\/td>\nCity Streets<\/td>\n45<\/td>\n<\/tr>\n
437<\/td>\n22237<\/td>\nWorking in the Street<\/td>\n22<\/td>\n<\/tr>\n
438<\/td>\n22259<\/td>\nHomes and Gardens<\/td>\n18<\/td>\n<\/tr>\n
439<\/td>\n22277<\/td>\nFemale Punk Faces<\/td>\n15<\/td>\n<\/tr>\n
440<\/td>\n22292<\/td>\nCountry Markets<\/td>\n12<\/td>\n<\/tr>\n
441<\/td>\n22304<\/td>\nStreet Processions + Parades<\/td>\n26<\/td>\n<\/tr>\n
442<\/td>\n22330<\/td>\nStreet Markets<\/td>\n86<\/td>\n<\/tr>\n
443<\/td>\n22416<\/td>\nTown Housing<\/td>\n24<\/td>\n<\/tr>\n
444<\/td>\n22440<\/td>\nUrban Unrest<\/td>\n7<\/td>\n<\/tr>\n
445<\/td>\n22447<\/td>\nCity Rooftops + Horizons<\/td>\n14<\/td>\n<\/tr>\n
446<\/td>\n22461<\/td>\nShopping Precincts + Arcades<\/td>\n78<\/td>\n<\/tr>\n
447<\/td>\n22539<\/td>\nThe Railways<\/td>\n45<\/td>\n<\/tr>\n
448<\/td>\n22584<\/td>\nCrops for food + fodder<\/td>\n102<\/td>\n<\/tr>\n
449<\/td>\n22686<\/td>\nMarching Bands<\/td>\n42<\/td>\n<\/tr>\n
450<\/td>\n22708<\/td>\nCar Parks<\/td>\n12<\/td>\n<\/tr>\n
451<\/td>\n22720<\/td>\nRural Highways + Byways<\/td>\n31<\/td>\n<\/tr>\n
452<\/td>\n22751<\/td>\nRural Architecture<\/td>\n73<\/td>\n<\/tr>\n
453<\/td>\n22824<\/td>\nCountry Pursuits<\/td>\n49<\/td>\n<\/tr>\n
454<\/td>\n22873<\/td>\nStreet Entertainers<\/td>\n73<\/td>\n<\/tr>\n
455<\/td>\n22946<\/td>\nDancing in the Streets<\/td>\n11<\/td>\n<\/tr>\n
456<\/td>\n22957<\/td>\nKitchen Life<\/td>\n42<\/td>\n<\/tr>\n
457<\/td>\n22999<\/td>\nStreet Politics + Religion<\/td>\n14<\/td>\n<\/tr>\n
458<\/td>\n23013<\/td>\nPolice, Fire, Health and Rescue<\/td>\n47<\/td>\n<\/tr>\n
459<\/td>\n23060<\/td>\nLiving Rooms<\/td>\n49<\/td>\n<\/tr>\n
460<\/td>\n23109<\/td>\nNight Streets<\/td>\n27<\/td>\n<\/tr>\n
461<\/td>\n23136<\/td>\nThe Armed Forces<\/td>\n21<\/td>\n<\/tr>\n
462<\/td>\n23157<\/td>\nHomeless People<\/td>\n13<\/td>\n<\/tr>\n
463<\/td>\n23170<\/td>\nParents and Children<\/td>\n24<\/td>\n<\/tr>\n
464<\/td>\n23194<\/td>\nMeal Times<\/td>\n18<\/td>\n<\/tr>\n
465<\/td>\n23212<\/td>\nAgricultural Shows<\/td>\n30<\/td>\n<\/tr>\n
466<\/td>\n23242<\/td>\nShops, Shopping + Markets<\/td>\n34<\/td>\n<\/tr>\n
467<\/td>\n23276<\/td>\nVillage Festivals<\/td>\n57<\/td>\n<\/tr>\n
468<\/td>\n23325<\/td>\nVillage Life<\/td>\n48<\/td>\n<\/tr>\n
469<\/td>\n23372<\/td>\nPainted Faces<\/td>\n29<\/td>\n<\/tr>\n
470<\/td>\n23402<\/td>\nFurniture design<\/td>\n69<\/td>\n<\/tr>\n
471<\/td>\n23471<\/td>\nThe British Year: F: June<\/td>\n31<\/td>\n<\/tr>\n
472<\/td>\n23502<\/td>\nAquatic Plants<\/td>\n21<\/td>\n<\/tr>\n
473<\/td>\n23522<\/td>\nFungi<\/td>\n73<\/td>\n<\/tr>\n
474<\/td>\n23595<\/td>\nMarket Places<\/td>\n51<\/td>\n<\/tr>\n
475<\/td>\n23646<\/td>\nBritish Glass Work of the \u201880\u2019s\u2019<\/td>\n33<\/td>\n<\/tr>\n
476<\/td>\n23679<\/td>\nBritish Ceramics of the \u201880\u2019s\u2019<\/td>\n40<\/td>\n<\/tr>\n
477<\/td>\n23719<\/td>\nButterflies<\/td>\n44<\/td>\n<\/tr>\n
478<\/td>\n23759<\/td>\nSpecial issue Stamps 1980-86<\/td>\n60<\/td>\n<\/tr>\n
479<\/td>\n23829<\/td>\nCats<\/td>\n69<\/td>\n<\/tr>\n
480<\/td>\n23898<\/td>\nTransport Advertising<\/td>\n60<\/td>\n<\/tr>\n
481<\/td>\n23958<\/td>\nThe Queen Mother<\/td>\n32<\/td>\n<\/tr>\n
482<\/td>\n23991<\/td>\nPrincess Margaret<\/td>\n19<\/td>\n<\/tr>\n
483<\/td>\n24011<\/td>\nPrince Philip<\/td>\n19<\/td>\n<\/tr>\n
484<\/td>\n24031<\/td>\nPoultry Breeds<\/td>\n73<\/td>\n<\/tr>\n
485<\/td>\n24104<\/td>\nRoyal Residences<\/td>\n33<\/td>\n<\/tr>\n
486<\/td>\n24138<\/td>\nPigs in Britain Today<\/td>\n14<\/td>\n<\/tr>\n
487<\/td>\n24152<\/td>\nBritish Design+ Art Direction Awards 1985<\/td>\n75<\/td>\n<\/tr>\n
488<\/td>\n24227<\/td>\nRoyal Cousins<\/td>\n54<\/td>\n<\/tr>\n
489<\/td>\n24282<\/td>\nThe Royal Parents<\/td>\n28<\/td>\n<\/tr>\n
490<\/td>\n24311<\/td>\nPrincess Anne<\/td>\n45<\/td>\n<\/tr>\n
491<\/td>\n24357<\/td>\nFish for Food<\/td>\n39<\/td>\n<\/tr>\n
492<\/td>\n24397<\/td>\nDrink and be merry<\/td>\n200<\/td>\n<\/tr>\n
493<\/td>\n24597<\/td>\nThe Royal Wedding<\/td>\n46<\/td>\n<\/tr>\n
494<\/td>\n24644<\/td>\nCheese in Britain<\/td>\n41<\/td>\n<\/tr>\n
495<\/td>\n24686<\/td>\nCommercial aircraft<\/td>\n48<\/td>\n<\/tr>\n
496<\/td>\n24734<\/td>\nDesign Council Awards 1980\/85<\/td>\n194<\/td>\n<\/tr>\n
497<\/td>\n24930<\/td>\nBackground Maps<\/td>\n4067<\/td>\n<\/tr>\n
498<\/td>\n29001<\/td>\nNewspaper Banners<\/td>\n637<\/td>\n<\/tr>\n
499<\/td>\n29638<\/td>\nCol. Maps: Weather\/Winds etc.\/Geology\/ Mining<\/td>\n100<\/td>\n<\/tr>\n
500<\/td>\n29875<\/td>\nMaps: Coloured<\/td>\n<\/td>\n<\/tr>\n
501<\/td>\n29959<\/td>\nPhysical\/Soils\/Temperature<\/td>\n84<\/td>\n<\/tr>\n
502<\/td>\n29961<\/td>\nSurrogate Walk \u2013 2-Bedroom House<\/td>\n234<\/td>\n<\/tr>\n
503<\/td>\n30211<\/td>\nSurrogate Walk \u2013 Council High Rise Flat<\/td>\n519<\/td>\n<\/tr>\n
504<\/td>\n30735<\/td>\nSurrogate Walk \u2013 Stockbroker Belt House<\/td>\n1033<\/td>\n<\/tr>\n
505<\/td>\n31784<\/td>\nSurrogate Walk-Terraced House<\/td>\n442<\/td>\n<\/tr>\n
506<\/td>\n32236<\/td>\nSurrogate Walk \u2013 Stone Cottage<\/td>\n777<\/td>\n<\/tr>\n
507<\/td>\n33035<\/td>\nSurrogate Walk \u2013 Brecon<\/td>\n2738<\/td>\n<\/tr>\n
508<\/td>\n35786<\/td>\nSurrogate Walk \u2013 Urban Environment<\/td>\n2169<\/td>\n<\/tr>\n
509<\/td>\n37860<\/td>\nSurrogate Walk \u2013 A Scottish Wilderness<\/td>\n893<\/td>\n<\/tr>\n
510<\/td>\n38760<\/td>\nSurrogate Walk \u2013 Farm<\/td>\n2056<\/td>\n<\/tr>\n
511<\/td>\n40890<\/td>\nDemos<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Credit: OCR and typesetting Phil Mainwaring<\/p>\n","protected":false},"excerpt":{"rendered":"

The following table shows a list of picture sets available on the National Disc.\u00a0 The list is taken from the Domesday Display documentation (which notes that it is not a complete list).\u00a0 The description field is the text under which the picture set is indexed (some picture sets will have different descriptions when shown on screen): Key Frame Description No. Continue reading Picture sets<\/span>→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-815","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/pages\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.domesday86.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=815"}],"version-history":[{"count":3,"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/pages\/815\/revisions"}],"predecessor-version":[{"id":819,"href":"https:\/\/www.domesday86.com\/index.php?rest_route=\/wp\/v2\/pages\/815\/revisions\/819"}],"wp:attachment":[{"href":"https:\/\/www.domesday86.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}